Contested Monuments

Dr. Renée Ater holds a B.A. from Oberlin College, and a M.A. and Ph.D. in Art History from the University of Maryland. A public scholar who works at the intersection of art and history, Dr. Ater’s research focuses on monuments, race, national identity, and public space. She is the author of Keith Morrison, volume 5 of The David C. Driskell Series of African American Art (Pomegranate Books, 2005) and Remaking Race and History: The Sculpture of Meta Warrick Fuller (University of California Press, 2011) as well as essays on a wide range of public monuments.

Brent Leggs is the executive director of the African American Cultural Heritage Action Fund at the National Trust for Historic Preservation and the Senior Advisor and Adjunct Associate Professor at the University of Pennsylvania’s Center for Preservation of Civil Rights Sites. Brent authored Preserving African American Historic Places and led efforts to establish the Birmingham Civil Rights National Monument. From his work to protect NY’s Madam C. J. Walker’s Villa Lewaro and NC’s Nina Simone’s Childhood Home, he believes that preservation is activism and a tool for growing equity and justice.

Ada Pinkston is an artist, educator, and cultural organizer living and working in Baltimore, MD, where she is a lecturer in Art Education at Towson University. Her work explores the intersection of imagined histories and sociopolitical realities on our bodies using performance, digital media, and mixed-media sculptures and installations.

Professionally, Nylah is the Assistant Conservator of Objects & Program Assistant at Balboa Art Conservation Center. She received her M.S. in Art Conservation from the Winterthur/ University of Delaware Program in Art Conservation in 2022 and her B.A. with Honors in Archaeology from Stanford University in 2018. She is currently a Core Group member of the AIC Ethics Core Documents Revision Task Force and a founding member of the Black Art Conservators group. Her research interests include equity and inclusion in conservation, preserving ephemera, and fabrication of inorganic objects. Nylah is particularly passionate about public engagement and community connections within art conservation and cultural heritage institutions in the United States.

Laleña Arenas Vellanoweth is a textile conservator in Los Angeles, CA. She received her B.S. in Biochemistry and B.A. in Art from California State University, Los Angeles and MA in Art History and Certificate in Conservation from the Institute of Fine Arts, New York University. She has worked at the Metropolitan Museum of Art, Natural History Museum of Los Angeles County, Autry Museum of the American West, and Los Angeles County Museum of Art. She currently works as the Civic Art Conservation and Collections Manager for the Los Angeles County Department of Arts and Culture, where she manages the preservation of the County's Civic Art collection and oversees projects that promote healing, equity and access for the County's artworks in public spaces.