Decolonizing Collections and Prioritizing Community Partnerships
Includes a Live Event on 12/07/2020 at 4:00 PM (EST)
December 7, 2020 at 4:00-5:30 p.m. Eastern Time
Calls to decolonize collections and partner with communities have gained momentum in recent years. Decolonizing would mean transforming the way we view and interact with collections and people, de-centering white colonizer perspectives, and addressing the traumatic histories that have led to our existing systems. The current racial justice movement has made the need to be inclusive and to partner with communities even more clear. What would it look like if we rejected conservation's traditional top-down approach and instead shared authority with Black, Indigenous, and other communities of color? This session will examine the need to dismantle our problematic foundations and discuss how we can enrich our work through partnerships with others.
The webinar will take place on Zoom and automated live captions will be available for those who choose to use them. The webinar will be recorded and the recording will be available to view shortly after the live event is complete.
Dr. Melanie Adams
Director, Anacostia Community Museum
Artist, Arts Administrator, and Cultural Organizer
Joel Garcia (Huichol) is an artist, arts administrator and cultural organizer with 20+ years of experience working transnationally focusing on community-centered strategies. His approach is rooted in Indigenous-based forms of dialoguing and decision-making (non-hierarchical) that uplifts non-institutional expertise. Joel uses arts-based strategies to raise awareness of issues facing underserved communities, youth, and other targeted populations garnering national press in publications such as the LA Times and Artforum among others. He has been a lead organizer removing both the Columbus and Serra statues in Los Angeles and surrounding areas as well as developing programming that counters those narratives and centering Indigenous perspectives. He’s the co-founder of Meztli Projects, an Indigenous based arts & culture collaborative centering indigeneity into the creative practice of Los Angeles. He served as Co-Director at Self Help Graphics & Art (‘10-’18) a nationally acclaimed arts organization founded in 1972 which helped nurture Chicano Art and Dia de los Muertos.
Director of Decolonization, Museum of Us
Héctor Berdecia-Hernandez (Moderator)
Héctor J. Berdecía-Hernández, Assoc. AIA (He/him) is an Architectural Conservator, an Architect-in-Training, and Director/Coordinator-General of the Escuela Taller de Conservación y Restauración del Patrimonio Histórico de Puerto Rico at the Institute of Puerto Rican Culture. The institution provides training on traditional building trades. It seeks to advance the scientific research on historic building materials, technologies, and conservation practices for architectural heritage in Puerto Rico and the Caribbean region. In his current role, he oversees all academic and research projects.
He currently serves as Co-Communications Officer of the AIC’s Emerging Conservation Professionals Network (ECPN). Héctor is also a member of the American Institute of Architects (AIA), the Association for Preservation Technology International (APTI), the International Committee on Monuments and Sites (ICOMOS) and member of the Young Practitioners College at the International Network for Traditional Building, Architecture and Urbanism (INTBAU).
His research focuses on the conservation of historic buildings and sites, with emphasis on vernacular construction, technical and analytical understandings of traditional building materials and technologies in the Caribbean region, and 20th-century building materials.
Héctor holds an M.S. in Historic Preservation, specializing in Architectural Conservation from the University of Pennsylvania, and a B.EnvD. in Environmental Design-Architecture with a double major in History of the Americas from the University of Puerto Rico, Rio Piedras Campus. He also studied Conservation Science courses within Georgetown University and the Universitá degli Studi di Firenze.
Amy Tjiong (Moderator)
Amy Tjiong is an Associate Conservator in the Anthropology Department of the American Museum of Natural History (AMNH) working on the renovation of the Northwest Coast Hall. In her current role, she initiates and facilitates outreach and collaboration efforts, on behalf of the conservation team, with Indigenous communities represented in the hall. Prior to AMNH, Amy had worked in multiple capacities at the Fine Arts Museums of San Francisco, the Freer Gallery of Art and the Metropolitan Museum of Art. She holds a Master of Arts degree in Art History and an Advanced Certificate in Conservation from the Institute of Fine Arts, New York University, as well as a Master of Arts degree in Anthropology from Columbia University. Amy is currently enrolled in the Anthropology doctoral program at the CUNY Graduate Center. Her professional interests include experimental archaeology and applying analytical techniques to research the properties and uses of cultural heritage materials. She is passionate about community outreach, building long term partnerships, and continually learning and growing from these interactions to become a more thoughtful conservator and museum professional.