Online Workshop: Philosophy and Conservation Codes of Ethics, Session 1

Course Leaders: Dr. Bill Wei and Lisa Giombini

Codes of ethics play a critical role in the conservation and restoration of works of art and objects of cultural heritage. As with codes of ethics in other professional fields such as medicine, journalism or civil engineering, these conservation and restoration codes have been developed by the profession itself to show their clients and other stakeholders that they conduct themselves and their work in what could be generally termed a highly professional manner.

These codes of ethics as well as others written primarily by Western conservation associations make use of terms such ‘appropriate’, ‘authenticity, ‘highest possible standards’, ‘integrity, ‘respect’ and ‘value’, just to name a few. These terms are not well-defined in the codes and can be considered to be vague. However, modern interpretations of codes of ethics have become quite strict, and are being coupled with movements to professionalize the field through the development of certification standards. There is therefore increasing heated discussion and debate about the interpretation and role of codes of ethics in conservation and restoration, and taking that a step further, what makes a highly professional conservator. 

It is at times like these when it is useful to step back and look at what it is that one is debating. Many of the aforementioned terms and others in conservation codes of ethics are actually subjects of study and debate in philosophy. It goes without saying that ‘ethics’ itself is one of the main pillars upon which the entire world of philosophy rests. But why do we call our standards for professional behavior in conservation a code of ‘ethics’? What does it mean to be ethical in the conservation and restoration of objects of cultural heritage?

AIC is thus organizing a workshop on philosophy and conservation codes of ethics. It will consist of an introductory lecture on what the different meanings of those terms have in philosophical debates, both in a theoretical and in an applied sense. This will then be followed by a so-called Socratic dialogue for all participants to investigate what that concept means in conservation practice. We will look at five important terms used in codes of ethics from organizations such as the American Institute for Conservation (AIC), the European Confederation of Conservator-Restorers’ Organization (ECCO) or The Institute of Conservation (ICON) including ethics, respect, integrity, and highest possible standards. This will be the first in the series meant for members with at least a few years of work experience.

Audience and Registration

Registration is open to AIC members with at least a few years of work experience in the conservation field, be it active conservation or related fields such as preventive conservation or conservation science. Registration for this workshop is free, but limited to 48 people. All of the workshops will be conducted on-line using a platform known as Moodle.

If you are a student or emerging professional, please consider registering for Philosophy and Conservation Codes of Ethics for Emerging Professionals, Session 1

About this Workshop Series

This is the first in a series of five workshops over a two-year period where we, AIC members, can consider a number of important conservation and conservation ethic concepts with which we work. Depending on the format of the Socratic dialogue, each workshop will last between three and a half and four hours.

Dr. Bill Wei (Moderator)

Dr. Bill Wei is a senior conservation scientist (retired) in the Cultural Heritage Laboratory of the Cultural Heritage Agency of the Netherlands (RCE). Dr. W. (Bill) Wei (1955) is a retired senior conservation scientist in the Cultural Heritage Laboratory of the Cultural Heritage Agency of the Netherlands (RCE). He continues to conduct research and consult on the effects of cleaning and treatments of objects on their appearance and viewers’ perception, including:

-  The effect of aging, corrosion, dust and cleaning on the condition, appearance and perception of objects of art and cultural heritage.

-  The effect of vibrations and mechanical stresses on the condition of fragile works of art and cultural heritage

A major area of interest is how conservation decisions are influenced by the differing perception of objects by art historians, conservation scientists, conservators, curators, directors, and other collections staff. Dr. Wei has trained as a Socratic dialogue moderator and has moderated many dialogues over the past fifteen years, including dialogues at eight previous AIC annual meetings (2013-2019, 2021-2023) on “value”, “museum climate”, “certification”, “disaster planning”, "high-tech innovation", “public participation” “color”, “systematic racism in conservation”, and “authenticity and originality”, a dialogue on the rights of living artists at the ICOM-CC meeting in 2014 and at the ICOM-CC Legal Issues working group meeting in 2016, and dialogues for various museums, cultural heritage institutes, universities, and smaller groups of conservators in different countries on conservation ethics, cleaning of historic church interiors, digitalization, photograph conservation, the value of archaeological work, and the subject of dust in museums.

Dr. Lisa Giombini

Dr. Lisa Giombini is currently Research Fellow in Aesthetics at the University of Roma Tre, Department of Philosophy, Communication and Performing Arts, and Visiting Research Fellow in Philosophy within the framework of the ‘Heritage Hub’ of the School of Humanities, University of Hertfordshire, UK. She held postdoctoral positions at Stuttgart National Academy of Fine Arts, Freie Universität Berlin (Germany), and at the University of Presov (Slovak Republic). Besides a long-term interest in the philosophy of music, Lisa works in the field of the philosophy of art conservation, the ethics of cultural heritage, and environmental and everyday aesthetics.

Website: https://uniromatre.academia.ed...

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Recorded 02/12/2026  |  240 minutes
Recorded 02/12/2026  |  240 minutes