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Products are filtered by different dates, depending on the combination of live and on-demand components that they contain, and on whether any live components are over or not.
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  • Contains 3 Component(s) Includes Multiple Live Events. The next is on 07/08/2024 at 1:00 PM (EDT)

    July 8, 15, 29, 2024, at 1:00-3:00pm ET

    Online, July 8, 15, 29, 2024, at 1:00-3:00pm ET
    Instructor: Yosi Pozeilov
    Coordinator: Cristiana Ginatta
    Registration fee: $80 AIC members, $96 non-members (a limited number of free registrations are available for those who need it)

    This workshop is designed to present the fundamentals of infrared imaging. The first two sessions will cover terminology, equipment, techniques, applications, and processing. The third session will include a review of practice images with additional time for questions and discussion.

    Although this workshop is designed to cover knowledge from beginner to a more advanced level, to fully benefit from the information imparted, it is recommended that specific equipment be at hand to practice the concepts that are taught. The image processing software that will be used is Adobe Photoshop and Bridge; the group will be processing RAW images converted to DNGs.

    Recommended equipment:

    • Modified digital camera with IR capability, either UV-VIS-IR, or IR only
    • Band pass IR filters, like the Wratten 87C, Peca 910, or Xnite 1000A
    • Lights (radiation sources) rich in IR emission, like Tungsten-Halogen lights, LED IR lights, or unfiltered flash/strobe unit

    Interested individuals should apply by June 9 to participate in the workshop. Those who need financial support can request it in the application. Accepted participants are expected to attend all three of the live sessions. The live sessions for the workshop will take place in Zoom and automated captions will be available.

    Interested individuals should complete an application by June 9.The application will allow for a more inclusive group of participants who will be using the content directly in their work and disseminate the information amongst their communities. Below are the criteria for review. All interested conservation professionals are encouraged to apply! 30 spaces are available and applicants will be notified by June 17. Accepted participants are expected to attend all three of the live sessions.

    Criteria for Review

    • Need for the content
    • Plan for dissemination of information gained
    • The program seeks to support a diverse set of participants and will consider geographic location, place of employment type, profession, and career level 

    Funding for this program comes from the Foundation for Advancement in Conservation (FAIC) Endowment for Professional Development. The FAIC Endowment for Professional Development, which was created by a grant from The Mellon Foundation and is supported by donations from members of the American Institute for Conservation (AIC) and its friends. Workshops are made possible with the assistance of many AIC members, but no AIC membership dues were used to create or present this course.

    FAIC relies on your contributions to support these and its many other programs. Learn more about donating to the foundation.

    Yosi Pozeilov

    Managing Photographer and Imaging Specialist

    Los Angeles County Museum of Art (LACMA)

    Yosi Pozeilov, currently the Managing Photographer and Imaging Specialist, joined the Los Angeles County Museum of Art (LACMA), Conservation Center in 2003. He has been performing all the technical and scientific imaging for the Conservation Center, establishing new and updating digital imaging processes. Yosi has been implementing computational imaging techniques as well, like Reflectance Transformation Imaging (RTI), photogrammetry and spectral imaging. He also established protocols to streamline condition reporting with the use of mobile technology and imaging-based systems on tablets.

  • Contains 1 Component(s) Includes a Live Web Event on 06/25/2024 at 12:00 PM (EDT)

    Information for AIC's volunteers

    AIC staff are hosting a live webinar and providing links to resources that will be useful for your term as a volunteer.

  • Contains 1 Component(s) Includes a Live Web Event on 06/24/2024 at 11:00 AM (EDT)

    Join AIC's Imaging Working Group for this discussion of alt text and image descriptions

    Cailin Meyer and James Tiller discuss using image descriptions for digital accessibility (alt text and extended descriptions) as a means of servicing multiple communities and increasing accessibility to digital assets and collections. While image descriptions have been in use by many art institutions over the last decade, scientific institutions are further behind in adopting their use due to subject matter challenges. Cailin and James will discuss their experience with creating guidelines for writing image descriptions for digital accessibility for the Smithsonian’s National Museum of Natural History (NMNH), the first-ever natural history-specific guidelines. The AIC Imaging Working Group is excited to learn from their experience and expertise along with the NMNH guidelines to consider guidelines for image descriptions for digital accessibility for conservation images. 

    Cailin Meyer

    Registrar

    Department of Entomology, National Museum of Natural History

    Cailin Meyer is the Registrar for the Department of Entomology at the National Museum of Natural History. With experience working on all types of natural history collections, and a background in zooarchaeology and comparative anatomy, Cailin specializes in biohazard concerns, disaster response and training, and increasing accessibility for individuals in museum spaces. For over a decade, Cailin has actively worked to increase resources for and understanding of digital accessibility concerns amongst Smithsonian staff and has been involved in developing and delivering multiple trainings across the Smithsonian Institution (SI) and other museums. At the beginning of 2020, Cailin and James set out to develop guidelines for writing image descriptions specifically for scientific-minded digital images. Together, they also successfully advocated for the International Press Telecommunications Council (IPTC) to add Alt Text and Extended Descriptions as IPTC embedded metadata fields. Since then, they have turned their attention inward and are working on creating a roadmap for technical implementation of alt text to existing digital images at SI. 

    James Tiller

    Photographer

    Smithsonian’s National Museum of Natural History (NMNH)

    James Tiller (they/them), a holistically trained Biological Anthropologist, is currently a Photographer for the Smithsonian’s National Museum of Natural History (NMNH). As a disabled photographer, James strives to increase the reach of museum collections and research, especially for those who have been historically marginalized. As such, they have co-developed the Smithsonian’s policy and guidance regarding gender identity and inclusion, and the first ever guidelines for writing alt text and extended descriptions for images depicting natural history collections. In 2021, James successfully helped advocate for the International Press Telecommunications Council (IPTC) to add Alt Text and Extended Descriptions as IPTC embedded metadata fields. James is currently Co-Lead Elect of the Smithsonian’s Disability Employee Resource Group and Co-Lead of Pride in Federal Service’s Gender Expansive and Transgender Federal Working Group. James is also the proud parent of the world’s cutest cat, Steven (she/her).

  • Contains 2 Component(s) Includes Multiple Live Events. The next is on 06/20/2024 at 11:00 AM (EDT)

    PMG is sponsoring a workshop on Carbon Literacy with instructor Lorraine Finch.

    In the ongoing endeavor to align conservation practices with sustainable principles, and as a follow-up event from the PMG Winter Meeting Sustainability panel in 2023, PMG will be offering a "Carbon Literacy for Conservation and Collections Care" workshop. The training will be offered over 2 sessions (June 20 and 21). Full details below.

    Led by esteemed instructor Lorraine Finch ACR, a certified Carbon Literacy Trainer, this workshop is geared to colleagues seeking to integrate climate-conscious strategies into their conservation efforts. Through engaging sessions and interactive discussions, participants will delve into the nuanced intersection of climate science and conservation practice, equipping themselves with the knowledge and tools needed to enact positive change within their institutions and communities.

    Lorraine Finch brings a wealth of expertise to the forefront as an advocate for environmental stewardship within the conservation field. With a distinguished background in Carbon Literacy training and a profound understanding of its implications for conservation and collections care, Lorraine is poised to guide participants through an illuminating journey towards sustainability. Her commitment to empowering individuals to recognize their role in mitigating climate change reflects a dedication to fostering a greener, more resilient future for cultural heritage preservation. 

    Join us in embracing this transformative learning experience under Lorraine's guidance, as we collectively embark on a path towards environmental responsibility and conservation excellence. 

    $30 for PMG members and student members, $40 for AIC members. We have a limited number of stipendiary (free) registrations for those experiencing financial hardship. Use the code on the registration page to register at this special rate.

  • Contains 9 Component(s) Includes Multiple Live Events. The next is on 06/14/2024 at 2:00 PM (EDT) Recorded On: 02/09/2024

    Connect with your fellow members!

    Our Monthly Member Meetup is a series of hour-long monthly events that we’ll host every second Friday at 2pm ET. Topics may cover sustainability, private practice, volunteering, the wiki, emergency planning, introductions to our various committees and groups, and more. Our goal is to offer you a social outlet and way to connect with other members. We welcome suggestions for topics and guest hosts! Send us your ideas at membership@culturalheritage.org. See past recordings at https://learning.culturalherit... and https://learning.culturalherit....

  • Contains 5 Component(s) Includes a Live Web Event on 06/13/2024 at 1:00 PM (EDT) Recorded On: 03/14/2024

    Learn about new processes and improvements with the AIC Wiki

    The Wiki Working Group welcomes AIC Wiki editors and users to an open discussion. Learn about new processes and improvements with the AIC Wiki, as well as technical hurdles we are addressing, then discuss your own experiences and ideas. This will be a quarterly meeting, and will be recorded for those who can't join live.

  • Contains 1 Component(s) Includes a Live Web Event on 06/10/2024 at 2:00 PM (EDT)

    Business Meeting for RATS members

    Join us to hear about the Research & Technical Specialty Group updates, budget information, and new officers. Agenda to be shared before the meeting.

  • Contains 1 Component(s) Includes a Live Web Event on 06/10/2024 at 1:00 PM (EDT)

    Business Meeting for OSG members

    Join us to hear about the Objects Specialty Group updates, budget information, and new officers. Agenda to be shared before the meeting.

  • Contains 1 Component(s) Includes a Live Web Event on 06/10/2024 at 12:00 PM (EDT)

    Join AIC's Wooden Artifacts Group for its lecture series

    Join the Wooden Artifacts Group for the second session of its online webinar series. Dr. Geoffrey Killen will present on Ancient Eqyptian Woodworking and the techniques and tools used by Egyptian carpenters. A discussion will follow with Q&A from the audience. 

    Egyptian carpenters used a wide range of tools, techniques and processes to create products that were manufactured to serve the needs of Egyptian society. Egyptians exploited all the products of the tree, its wood for constructional work, leaves for fodder, basketry and matting. Locally sourced woods were used from an early period but the variable quality of these timbers led Egyptians to venture beyond their borders to source better quality material.

    Originally tree trunks were cleaved into boards by driving wedges into the tree’s grain. However, advances in metallurgy and the development of metal woodwork tools made it possible to accurately convert boards by sawing down the tree trunk. Egyptian carpenters also developed a range of sophisticated woodwork joints and tools and they also mastered the techniques of gluing, veneering, inlaying, marquetry and parquetry as well as experimenting with woodturning.

    This event is open to WAG and AIC members for free and $10 for nonmembers. The Zoom webinar will have automated captioning in English. 

    Dr. Geoffrey Killen

    Geoffrey Killen studied Design and Technology at Shoreditch College, a Constituent College of the University of London, where he qualified as a teacher. He received a BA (Hons.) from the Open University and a PhD from the University of Liverpool, where he specialised in Ramesside woodworking.

    As an ancient furniture historian and Egyptologist he has written four major works on his specialism. He is a contributor to both Nicholson and Shaw’s: ‘Ancient Egyptian Materials and Technology’ and Redford’s: ‘The Oxford Encyclopedia of Ancient Egypt’. He has also published a number of articles and papers in conference reports, Festschrifts, books, journals and magazines.

    He has studied the collections of ancient Egyptian furniture at most of the major museums including the Egyptian Antiquities Museum, Cairo. He has lectured and given practical demonstrations of ancient woodworking processes and techniques in the Egypt, Israel, Switzerland, United States of America and Britain.

    He has also led in the field of experimental archaeology where in making and using replica woodworking tools and equipment he has generated and tested archaeological hypotheses. He acted as a consultant for the ‘Death on the Nile: Uncovering the Afterlife of Ancient Egypt’ exhibition held at the Fitzwilliam Museum, Cambridge in 2016. This work involved building a number of replica coffin displays. William H. Peck commented on the exhibition and its catalogue ‘Analysis of woods and the ongoing work on carpentry and the cabinet-making techniques of Geoffrey Killen have added greatly to our knowledge about Egyptian craftsmen and their methods’ (Bryn Mawr Classical Review 2017.02.41). Geoffrey Killen’s practical work and reconstructions are displayed together with those original artefacts in many British museums. 

  • Contains 1 Component(s) Includes a Live Web Event on 06/07/2024 at 11:00 AM (EDT)

    Business Meeting for TSG members

    Join us to hear about the Textile Specialty Group updates, budget information, and new officers. Agenda to be shared before the meeting.