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Contains 1 Component(s) Includes a Live Web Event on 11/15/2024 at 1:00 PM (EST)
AIC and our Equity & Inclusion Committee are hosting a training on cultural equity for members
2024 AIC WORKSHOP AND DISCUSSION SERIES: CULTURAL EQUITYOn November 2, 2001, cultural equity was affirmed as a human right by UNESCO's Universal Declaration of Cultural Diversity, which put culture on par with the protection of environmental and individual rights. This 3-hour interactive virtual workshop on November 15, led by Evonne Gallardo, continues AIC’s member discussions around diversity, equity and inclusion, and how this work is advancing through the lens of cultural equity.
PDFs of the presentation and additional resources will be shared post-workshop.
This event is hosted by AIC's Equity & Inclusion Committee and is supported in FULL by members who contributed to the DEIA project sponsorship.
Evonne Gallardo
Senior Vice Program Director
Community Partners
Evonne Gallardo is a Senior Vice Program Director for Community Partners—a Los Angeles-based nonprofit organization committed to an equitable, thriving, and inclusive society. Evonne leads intermediary partnerships that regrant funding for artists and arts and culture organizations working at the intersections of social justice in Los Angeles and Orange Counties. Evonne also consults institutions to advance artists and arts organizations and has held leadership positions in museums, community-based art centers, and artist-led ventures. With over 20 years of hands-on experience, her areas of focus lie in funding and program development, strategic planning, community engagement, and cultural equity and inclusion strategies. Evonne received a B.A. in American History from Columbia University and an M.A. in the Sociology of Art from the New School for Social Research in New York. Evonne serves as Vice Chair of the Board of Directors for the National Association of Latino Arts and Cultures.
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Contains 1 Component(s) Includes a Live Web Event on 10/25/2024 at 12:00 PM (EDT)
The AIC Sustainability Committee is excited to announce the eighth in a series of webinars where we chat with conservators and allied professionals who are implementing changes to reduce the energy consumption of their buildings.
The AIC Sustainability Committee is excited to announce the eighth in a series of webinars where we chat with conservators and allied professionals who are implementing changes to reduce the energy consumption of their buildings.
The energy used to heat, cool, de/humidify, and light buildings is the biggest environmental impact of the cultural heritage sector. After decades of regarding one-size-fits-all, non-fluctuating indoor environmental parameters as the gold standard, the field is now questioning the value of this approach. And as the recent extreme weather and the associated risks to cultural heritage continue to remind us, the need for change is urgent.
On Friday October 25th 12:00 - 1:00 ET, join us as we speak with members of the collections care team at the New York Public Library (NYPL): Becky Fifield, Associate Director, Collections Management; Colleen Grant, Senior Collection Manager at the NYPL’s Stephen A. Schwarzman Building; and Deborah Straussman, Head Registrar. They will discuss how they are facilitating reduction of energy use by clarifying preservation goals and fostering active collaboration with colleagues and potential lenders to their exhibitions.
Rebecca Fifield
Senior Manager, Collection Management
New York Public Library
Rebecca Fifield is Senior Manager, Collection Management at The New York Public Library. She has over thirty years of experience working with both large and small library, art, and history collections, including the Metropolitan Museum of Art and the Museum of Fine Arts, Boston. She received an M.A. in Museum Studies from The George Washington University in 1999, where she received a National Endowment for the Humanities fellowship to study collections care administration. A frequent speaker on emergency preparedness and collection care topics, she is the author of "Emergency Management" in Preventive Conservation: Collection Storage. A Professional Associate of AIC, Becky is former Chair of the American Institute for Conservation’s Collection Care Network and former Chair of the Alliance for Response NYC.
Colleen Grant
Senior Collection Manager at the NYPL’s Stephen A. Schwarzman Building
New York Public Library
Deborah Straussman
Head Registrar
New York Public LIbrary
Deborah Straussman has worked in the Registrar’s Office at the New York Public Library for more than 16 years. Prior to joining NYPL, Straussman worked at The Museum of Modern Art in the exhibitions department. Straussman spent five years working in television production on true crime documentaries before her interests in art and cultural heritage led her to become a registrar.
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Contains 1 Component(s) Includes a Live Web Event on 10/17/2024 at 1:00 PM (EDT)
Our Architecture Specialty Group will host a "town-hall" style meeting for all group members and officers. Agenda to be shared.
Our Architecture Specialty Group will host a "town-hall" style meeting for all group members and officers. Agenda to be shared.
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Contains 1 Component(s) Includes a Live Web Event on 10/16/2024 at 2:00 PM (EDT)
series of programs designed to provide information supporting our work in private practice
The officers of the Conservators in Private Practice group are pleased to announce the first in a series of programs designed to provide information supporting our work in private practice.
This first program will focus on understanding the language of government contracts and insights into the bidding process for contracts with the National Park Service and Smithsonian Institution. Our speakers will be Angela Campbell, National Park Service and Lauren Horelick, Smithsonian Air and Space Museum.
Additional information about other government agencies who also have a contracting methodology will be reviewed briefly. We also anticipate that some of the insight into bidding will be helpful on the state and local level.
Following the presentations there will be ample time for questions and discussions.
If you cannot attend and would like to send questions in advance, please email Linnaea@theconservatorseasel.com
Lauren Horelick
Objects Conservator
National Air and Space Museum
Lauren Anne Horelick has been an objects conservator at NASM since 2012. She has a BFA in Sculpture from the San Francisco Art Institute, a BA in Art Conservation from the University of Delaware, and an MA in archaeological and ethnographic conservation from University of California at Los Angeles (UCLA)/Getty Conservation Master’s program. Lauren completed graduate internships at the Alaska State Museum and the American Museum of Natural History. She also served as the Andrew W. Mellon Postgraduate Fellow in Objects Conservation at Smithsonian, National Museum of the American Indian. Lauren’s research interests include studying the effects of adhesives on cultural materials, diagnostic imaging, and exploring cross-disciplinary adaptive treatment techniques for ephemeral technological materials. Prior to becoming an objects conservator Lauren worked in the field of architectural restoration as a sculptor and mold maker.
Angela Campbell
Paper Conservator, Project Inspector
NPS Historic Architecture, Conservation, and Engineering Center
Angela Campbell is the Paper Conservator and Project Inspector at the Historic Architecture, Conservation and Engineering Center (HACE) of the National Park Service. She is responsible for the conservation and preservation of works on paper in over 80 historic homes and collections in the northeast region. Angela was previously an Assistant Conservator at the Metropolitan Museum of Art, where she spent seven years working in the Sherman Fairchild Center for Works on Paper and Photograph Conservation. Angela holds an MA degree and Certificate of Advanced Study in Art Conservation from Buffalo State College.
Linnaea Saunders (Moderator)
Conservator of Paintings
The Conservators Easel, LLC
Linnaea E. Saunders is a Conservator of Paintings in private practice in Los Angeles. Following her training at the Courtauld Institute of Art (1999), Linnaea worked for the Cleveland Museum of Art, The Mauritshuis, and the Los Angeles County Museum of Art (LACMA). In 2007, she established her independent conservation studio, The Conservator's Easel, LLC, specializing in the treatment of easel paintings and frames. Linnaea has experience treating European, Latin American, American, and Modern and Contemporary paintings on canvas, wood panel, copper, and paperboard support. She provides services to major institutions, smaller museums and historical societies, galleries, collectors, and private individuals. Linnaea regularly hosts graduate interns in her studio as part of their training.
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Contains 9 Component(s) Includes Multiple Live Events. The next is on 10/11/2024 at 12:00 PM (EDT) Recorded On: 09/13/2024
Connect with your fellow members!
Our Monthly Member Meetup is a series of hour-long monthly events that we’ll host every second Friday at 2pm ET. Topics may cover sustainability, private practice, volunteering, the wiki, emergency planning, introductions to our various committees and groups, and more. Our goal is to offer you a social outlet and way to connect with other members. We welcome suggestions for topics and guest hosts! Send us your ideas at membership@culturalheritage.org. See past recordings at https://learning.culturalherit... and https://learning.culturalherit....
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Contains 34 Component(s)
Utilizing multiple teaching tools, including readings, podcasts, videos, and discussions, this course will guide participants through the development process of their Collections Management Policy.
A Collections Management Policy is a core document for any collecting institution that governs the legal and ethical requirements of the institution’s collecting practices and collections care. Writing a policy for the first time or updating a policy can be overwhelming due to the complexities of constantly changing legal and ethical requirements. Utilizing multiple teaching tools, including readings, podcasts, videos, and discussions, this course will guide participants through the development process of their Collections Management Policy. Additionally, this course will draw participant’s attention to the protection provided by a carefully written Collections Management Policy from unlawful or unethical decision making. At the end of the program, participants should feel confident to edit an existing Collections Management Policy or write a new one with a focus on those collections-related law and ethics that impact our ability to care for, use, and manage collections.
Course Outline
Session 1
- Date: September 17, 2024
- Time: 1:00 - 2:00 pm ET
- Topic: The first session of this course will focus on the different ways objects can be acquired and how the title of ownership passes to the museum.
Session 2
- Date: September 19, 2024
- Time: 1:00 - 2:00 pm ET
- Topic: The second session of the course will be diving deeper into special laws and ethics that can impact acquisition methods and quality of title, such as copyright or questionable provenance.
Session 3
- Date: September 24, 2024
- Time: 1:00 - 2:00 pm ET
- Topic: The third session will move on to non-title holding acquisitions, such as loans and temporary custody.
Session 4
- Date: September 26, 2024
- Time: 1:00 - 2:00 pm ET
- Topic: We will conclude the course with the fourth session on how to dispose of, or deaccession, objects no longer wanted by the museum.
*Please note: All meetings will be conducted using Zoom Meeting.
Coordinator/Instructor
Rebecca Kennedy has collaborated with diverse collections and cultural institutions to elevate the preservation and management of collections. Following the completion of an MA in Museum Studies from The George Washington University, Rebecca dedicated eleven years to preservation and collections management at the Smithsonian Institution before founding Curae Collections, LLC in 2018.
Rebecca contributes actively to committees within the American Institute for Conservation (AIC), American Alliance of Museums (AAM), and Association of Registrars and Collections Specialist (ARCS), demonstrating her commitment to bolstering the cultural institutions and their workers. Additionally, she serves as an editor for the Collections Journal and imparts her knowledge as an instructor on Collections Management for the George Washington University. As a peer-reviewed Professional Associate (PA) of AIC, Rebecca garners recognition for her contributions as an allied professional within the conservation community.
Registration Fee:
- $99 USD Early Bird Through September 2, 2024
- $149 USD September 3 - September 16, 2024
Connecting to Collections Care courses are made possible in part by generous support from the Institute of Museum and Library Services.
Rebecca Kennedy (Moderator)
Collections Care Specialist at Curae Collections Care, LLC
With nearly 15 years of experience, Rebecca has worked with a variety of collections in storage and on exhibition in diverse media. Her career began as a registrar for an historical society in Florida. After graduating with her MA in Museum Studies from The George Washington University, Kennedy worked in preservation and collections management at the Smithsonian Institution for 11 years. Her projects consisted of rehousing, exhibition installation, offsite storage management, object cataloging, deaccessioning and much more.
In 2016, Kennedy completed a training in First Aid to Cultural Heritage in Times of Crisis (FAC) by the International Centre for the Study of Preservation and Restoration of Cultural Property (ICCROM). This FAC course expanded her impact in helping institutions prepare for and respond to emergencies and disasters. She also served on the inaugural team of the Smithsonian’s Preparedness and Response in Collections Emergency (PRICE) for two years and the steering committee for the DC Alliance for Response. She is a Professional Associate (PA) of the American Institute for Conservation (AIC).
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- Non-member - $149
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Contains 1 Component(s)
Learn about how you can participate to the fullest this Ask a Conservator Day!
Ask a Conservator Day is an opportunity to spread awareness of our field and showcase the depth of knowledge that conservators hold. In the past we’ve called for participation from conservation professionals across the field, and as we build upon the success of the event, we want to extend the opportunity to be more involved in the lead-up to Ask a Conservator Day 2024 through our ambassador program. Ambassadors help us amplify the message about Ask a Conservator Day throughout the field as well as to their wider networks.
Learn about our ambassador program and how to participate in Ask a Conservator Day and discuss ideas and questions about participating with FAIC Outreach Manager Katelin Lee and our colleagues at Resnicow and Associates.
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Contains 6 Component(s) Recorded On: 06/13/2024
Learn about new processes and improvements with the AIC Wiki
The Wiki Working Group welcomes AIC Wiki editors and users to an open discussion. Learn about new processes and improvements with the AIC Wiki, as well as technical hurdles we are addressing, then discuss your own experiences and ideas. This will be a quarterly meeting, and will be recorded for those who can't join live.
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Contains 5 Component(s) Recorded On: 06/04/2024
June 4, 1 p.m. ET via Zoom
Join the board and executive director for a summary of our activities and financials and hear about plans for the future.
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Contains 14 Component(s)
July 8, 15, 29, 2024, at 1:00-3:00pm ET
Online, July 8, 15, 29, 2024, at 1:00-3:00pm ET
Instructor: Yosi Pozeilov
Coordinator: Cristiana Ginatta
Registration fee: $80 AIC members, $96 non-members (a limited number of free registrations are available for those who need it)This workshop is designed to present the fundamentals of infrared imaging. The first two sessions will cover terminology, equipment, techniques, applications, and processing. The third session will include a review of practice images with additional time for questions and discussion.
Although this workshop is designed to cover knowledge from beginner to a more advanced level, to fully benefit from the information imparted, it is recommended that specific equipment be at hand to practice the concepts that are taught. The image processing software that will be used is Adobe Photoshop and Bridge; the group will be processing RAW images converted to DNGs.
Recommended equipment:
- Modified digital camera with IR capability, either UV-VIS-IR, or IR only
- Band pass IR filters, like the Wratten 87C, Peca 910, or Xnite 1000A
- Lights (radiation sources) rich in IR emission, like Tungsten-Halogen lights, LED IR lights, or unfiltered flash/strobe unit
Interested individuals should apply by June 9 to participate in the workshop. Those who need financial support can request it in the application. Accepted participants are expected to attend all three of the live sessions. The live sessions for the workshop will take place in Zoom and automated captions will be available.
Interested individuals should complete an application by June 9.The application will allow for a more inclusive group of participants who will be using the content directly in their work and disseminate the information amongst their communities. Below are the criteria for review. All interested conservation professionals are encouraged to apply! 30 spaces are available and applicants will be notified by June 17. Accepted participants are expected to attend all three of the live sessions.
Criteria for Review
- Need for the content
- Plan for dissemination of information gained
- The program seeks to support a diverse set of participants and will consider geographic location, place of employment type, profession, and career level
Funding for this program comes from the Foundation for Advancement in Conservation (FAIC) Endowment for Professional Development. The FAIC Endowment for Professional Development, which was created by a grant from The Mellon Foundation and is supported by donations from members of the American Institute for Conservation (AIC) and its friends. Workshops are made possible with the assistance of many AIC members, but no AIC membership dues were used to create or present this course.
FAIC relies on your contributions to support these and its many other programs. Learn more about donating to the foundation.
Yosi Pozeilov
Managing Photographer and Imaging Specialist
Los Angeles County Museum of Art (LACMA)
Yosi Pozeilov, currently the Managing Photographer and Imaging Specialist, joined the Los Angeles County Museum of Art (LACMA), Conservation Center in 2003. He has been performing all the technical and scientific imaging for the Conservation Center, establishing new and updating digital imaging processes. Yosi has been implementing computational imaging techniques as well, like Reflectance Transformation Imaging (RTI), photogrammetry and spectral imaging. He also established protocols to streamline condition reporting with the use of mobile technology and imaging-based systems on tablets.
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- Non-member - $96
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