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  • Contains 1 Component(s) Includes a Live Web Event on 09/25/2026 at 1:00 PM (EDT)

    Online, Friday, Sept. 23 at 1-4 p.m. ET

    Course Leaders: Dr. Bill Wei and Lisa Giombini

    Codes of ethics play a critical role in the conservation and restoration of works of art and objects of cultural heritage. As with codes of ethics in other professional fields such as medicine, journalism or civil engineering, these conservation and restoration codes have been developed by the profession itself to show their clients and other stakeholders that they conduct themselves and their work in what could be generally termed a highly professional manner.

    These codes of ethics as well as others written primarily by Western conservation associations make use of terms such ‘appropriate’, ‘authenticity, ‘highest possible standards’, ‘integrity, ‘respect’ and ‘value’, just to name a few. These terms are not well-defined in the codes and can be considered to be vague. However, modern interpretations of codes of ethics have become quite strict, and are being coupled with movements to professionalize the field through the development of certification standards. There is therefore increasing heated discussion and debate about the interpretation and role of codes of ethics in conservation and restoration, and taking that a step further, what makes a highly professional conservator. 

    It is at times like these when it is useful to step back and look at what it is that one is debating. Many of the aforementioned terms and others in conservation codes of ethics are actually subjects of study and debate in philosophy. It goes without saying that ‘ethics’ itself is one of the main pillars upon which the entire world of philosophy rests. But why do we call our standards for professional behavior in conservation a code of ‘ethics’? What does it mean to be ethical in the conservation and restoration of objects of cultural heritage?

    AIC is thus organizing a workshop on philosophy and conservation codes of ethics. This is the second in the series, and you need not have attended a previous session to join this one. It will consist of an introductory lecture on what the different meanings of those terms have in philosophical debates, both in a theoretical and in an applied sense. This will then be followed by a so-called Socratic dialogue for all participants to investigate what that concept means in conservation practice. We will look at five important terms used in codes of ethics from organizations such as the American Institute for Conservation (AIC), the European Confederation of Conservator-Restorers’ Organization (ECCO) or The Institute of Conservation (ICON) including ethics, respect, integrity, and highest possible standards. This will be the first in the series meant for members with at least a few years of work experience.

    Audience and Registration

    Registration is open to AIC members with at least a few years of work experience in the conservation field, be it active conservation or related fields such as preventive conservation or conservation science. Registration for this workshop is free, but limited to 48 people. All of the workshops will be conducted on-line using a platform known as Moodle. To allow time to Moodle set-up, registration will close at midnight ET on Thursday, September 17th.

    If you are a student or emerging professional, please consider registering for the upcoming student Socratic dialogue event. 

    About this Workshop Series

    This is the first in a series of five workshops over a two-year period where we, AIC members, can consider a number of important conservation and conservation ethic concepts with which we work. Depending on the format of the Socratic dialogue, each workshop will last between three and a half and four hours.

    Dr. Bill Wei

    Dr. Bill Wei (Moderator)

    Dr. Bill Wei is a senior conservation scientist (retired) in the Cultural Heritage Laboratory of the Cultural Heritage Agency of the Netherlands (RCE). Dr. W. (Bill) Wei (1955) is a retired senior conservation scientist in the Cultural Heritage Laboratory of the Cultural Heritage Agency of the Netherlands (RCE). He continues to conduct research and consult on the effects of cleaning and treatments of objects on their appearance and viewers’ perception, including:

    -  The effect of aging, corrosion, dust and cleaning on the condition, appearance and perception of objects of art and cultural heritage.

    -  The effect of vibrations and mechanical stresses on the condition of fragile works of art and cultural heritage

    A major area of interest is how conservation decisions are influenced by the differing perception of objects by art historians, conservation scientists, conservators, curators, directors, and other collections staff. Dr. Wei has trained as a Socratic dialogue moderator and has moderated many dialogues over the past fifteen years, including dialogues at eight previous AIC annual meetings (2013-2019, 2021-2023) on “value”, “museum climate”, “certification”, “disaster planning”, "high-tech innovation", “public participation” “color”, “systematic racism in conservation”, and “authenticity and originality”, a dialogue on the rights of living artists at the ICOM-CC meeting in 2014 and at the ICOM-CC Legal Issues working group meeting in 2016, and dialogues for various museums, cultural heritage institutes, universities, and smaller groups of conservators in different countries on conservation ethics, cleaning of historic church interiors, digitalization, photograph conservation, the value of archaeological work, and the subject of dust in museums.

    Dr. Lisa Giombini

    Dr. Lisa Giombini

    Dr. Lisa Giombini is currently Research Fellow in Aesthetics at the University of Roma Tre, Department of Philosophy, Communication and Performing Arts, and Visiting Research Fellow in Philosophy within the framework of the ‘Heritage Hub’ of the School of Humanities, University of Hertfordshire, UK. She held postdoctoral positions at Stuttgart National Academy of Fine Arts, Freie Universität Berlin (Germany), and at the University of Presov (Slovak Republic). Besides a long-term interest in the philosophy of music, Lisa works in the field of the philosophy of art conservation, the ethics of cultural heritage, and environmental and everyday aesthetics.

    Website: https://uniromatre.academia.ed...

  • Contains 1 Component(s) Includes a Live Web Event on 07/09/2026 at 12:00 PM (EDT)

    Organized by the AIC Sustainability Committee, this webinar is the 11th in a series of Conversations with Change Makers, where we address energy use and the environmental impact of the buildings in which cultural heritage is stored, exhibited, and studied.

    Museums, libraries, and archives have been boxing collections since time immemorial. Offering protection from airborne pollutants and mishandling, boxes have also served as buffers, reducing fluctuations of relative humidity in the storage microenvironment. 

    At the same time, efforts to maintain and inspire access have often been at odds with the closed box concept. Our two speakers, Angie Yvarra at the Cantor Arts Center at Stanford, and Stephanie Gowler at Northwestern University Libraries, have been exploring solutions to this conundrum in very creative ways. In select situations, they have also included environmental data gathering in their design processes. Each will present their work for about 20 minutes, and we will take questions at the end.  

    Organized by the AIC Sustainability Committee, this webinar is the 11th in a series of Conversations with Change Makers, where we address energy use and the environmental impact of the buildings in which cultural heritage is stored, exhibited, and studied.

    Stephanie Gowler

    Stephanie Gowler

    Book & Paper Conservator

    Northwestern University Libraries


    Stephanie Gowler is the Book & Paper Conservator for Northwestern University Libraries. She holds a Certificate of Advanced Study in Conservation from the University of Texas at Austin, an MLIS and a Certificate in Book Arts from the University of Iowa, and BA in English Literature from Earlham College. Stephanie has worked in conservation at a wide range of cultural heritage institutions including the Indiana Historical Society, the Indiana State Library, the Harry Ransom Humanities Research Center, Bethany Theological Seminary, and the Academy of Motion Picture Arts and Sciences Film Archive. She is a Professional Member of AIC.

    Angie Yvarra McGrew

    Angie Yvarra McGrew

    Preventive Conservator

    Canton Arts Center, Stanford University

    Angie McGrew is the Preventive Conservator at the Cantor Arts Center, Stanford University. Angie is an objects conservator who has worked on two move projects of Native American material: first for the National Museum of the American Indian, Smithsonian Institution collections move from the Bronx to Suitland, Maryland, and for the Southwest Museum of the American Indian, Autry National Center collections move from the historic Southwest Museum in Mount Washington to the Autry main campus in Griffith Park. In these moves she designed and constructed travel and storage housings and continues this work as part of her duties at the Cantor Arts Center. Angie is a Professional Member of AIC.

  • Contains 7 Component(s) Includes a Live Web Event on 06/17/2026 at 3:30 PM (EDT)

    Information for AIC's volunteers

    Watch the recorded orientation session for both current and prospective volunteers.  

    In this session, we will:

    • Orient you to our leadership and organizational structure
    • Provide you with resources to be effective in your role
    • Share how our groups work together
    • Offer overviews of timelines, budgeting, events, funding, and planning
    • Explain our communications tools and documentation rules

    Please share any questions with Bonnie Naugle at bnaugle@culturalheritage.org

    Bonnie Naugle

    Bonnie Naugle

    AIC Communications & Membership Director

    American Institute for Conservation

    Bonnie Naugle joined AIC in 2012. As Communications & Membership Director, she manages our print and online publications, annual meeting print materials, email communications, and oversees the membership team. She also manages our websites and web resources, including the online community, blog, CoOL, resource hub, and wiki. She works with many AIC volunteers and enjoying giving them tools and support to help accomplish their goals.

  • Contains 12 Component(s) Includes Multiple Live Events. The next is on 06/02/2026 at 1:00 PM (EDT)

    Sign up in one place to access all the business meetings for our groups and networks.

    Sign up once to have access to all the specialty group business meetings and the AIC Business Meeting recording. No reminders will be sent, so please navigate to each meeting you plan to attend and download the calendar reminder. You can do this by clicking the yellow button with "Add to Calendar" text, then import to your calendar program of choice.

    Recordings of meetings are posted within a day or so of the event.

  • Contains 1 Component(s)

    a webinar on Fourier Transform Infrared (FTIR) spectroscopy as a cornerstone technique in conservation science

    The third and final webinar in our Vibrational Spectroscopy series will introduce Fourier Transform Infrared (FTIR) spectroscopy as a cornerstone technique in conservation science, offering rapid, non-destructive molecular identification across a wide range of materials. Designed for students, researchers, conservators, and allied professionals, this session builds a strong conceptual foundation while highlighting practical considerations and real-world case studies from both portable and benchtop instruments.

    You’ll learn:

    • How FTIR spectroscopy works and what information it provides about molecular vibrations and functional groups
    • Key differences between portable and benchtop FTIR systems—and when each is most effective
    • The strengths and limitations of major FTIR sampling modes, including ATR, specular reflection, diffuse reflection, transmission, and micro‑FTIR
    • How FTIR supports qualitative and (semi-)quantitative analysis in cultural heritage research
    • Practical guidance on sample preparation, from ATR contact considerations to transmission pellets and micro-sampling
    • Innovative case studies demonstrating FTIR’s capabilities in both field and laboratory settings

    The webinar will include an extended Q&A, offering participants the opportunity to ask questions tailored to their research materials, instrumentation, or analytical needs.

    This is the last in a series of three lectures leading up to the Infrared and Raman User’s Group (IRUG) conference at the Winterthur Museum, October 6-9th 2026. The recordings of all three webinars will be available to registered participants through the AIC learning platform.

    Dr. Liora Mael

    Dr. Liora Mael

    Postdoctoral Researcher

    University of Delaware Department of Art Conservation

    Dr. Liora Mael is a Postdoctoral Researcher in the Department of Art Conservation at the University of Delaware. She obtained a PhD from the University of California San Diego (Analytical Chemistry) where her research focused on the study of atmospheric processes and phase transitions with vibrational spectroscopy. At Winterthur she teaches the first-year material science and chemistry courses and investigates the impacts of air quality and wildfire smoke on indoor air and sustainability practices.

    Leung Tang

    Leung Tang

    Applications Scientist, Field Detection, Spectroscopy

    Aligent Technologies

    Aniko Bezur

    Aniko Bezur

    Wallace S. Wilson Director of Scientific Research

    Yale Institute for the Preservation of Cultural Heritage

    Anikó Bezur, the Wallace S. Wilson Director of Scientific Research at the Yale Institute for the Preservation of Cultural Heritage, has over 17 years of experience with the application of x-ray fluorescence spectroscopy to the study of cultural heritage objects. She was assistant professor in conservation science at the Art Conservation Department, Buffalo State College and adjunct professor in the Chemistry Department at Rice University. Anikó was involved in the conceptualization, organization and teaching of the XRF Boot Camp since its inception in 2011.

  • Contains 1 Component(s) Recorded On: 04/16/2026

    This webinar will explore Raman spectroscopy as an essential tool in conservation science, providing specific molecular information through a non-destructive analytical approach.

    The second webinar of our Vibrational Spectroscopy series will explore Raman spectroscopy as an essential tool in conservation science, providing specific molecular information through a non-destructive analytical approach. Designed for students, researchers, conservators, and allied professionals, the session will build a foundational understanding while highlighting real-world examples and challenges.

    You’ll learn:

    • Foundations of Raman spectroscopy
    • Considerations about instrumentation and materials when designing an experiments
    • Limitations and strengths of Raman including how fluorescence impacts Raman analysis—and strategies to work around it
    • Qualitative and (semi-)quantitative uses of Raman in cultural heritage research
    • Practical considerations for sample prep, including when and how Raman is used on cross-sections
    • Real-world case studies demonstrating the technique’s capabilities and limitations

    The webinar will include an extended Q&A, offering participants the opportunity to ask questions tailored to their research materials, instrumentation, or analytical needs. It is free for any student, regardless of AIC membership status.

    This is the second in a series of three webinars leading up to the Infrared and Raman User’s Group (IRUG) conference at the Winterthur Museum, October 6-9th 2026. All sessions will be recorded and available to registered participants through the AIC learning platform.

    Tuesday, March 24, 1:00–2:30 pm ET: Introduction to Vibrational Spectroscopy

    Tuesday, April 14, 1:00–2:30 pm ET: Raman spectroscopy

    Thursday, May 14, 1:00–2:30 pm ET: FTIR spectroscopy 

    Dr. Liora Mael

    Dr. Liora Mael

    Postdoctoral Researcher

    University of Delaware Department of Art Conservation

    Dr. Liora Mael is a Postdoctoral Researcher in the Department of Art Conservation at the University of Delaware. She obtained a PhD from the University of California San Diego (Analytical Chemistry) where her research focused on the study of atmospheric processes and phase transitions with vibrational spectroscopy. At Winterthur she teaches the first-year material science and chemistry courses and investigates the impacts of air quality and wildfire smoke on indoor air and sustainability practices.

    Tim Prusnick

    Tim Prusnick

    Americas Business Manager, Spectroscopy Products Division

    Renishaw

    Tim Prusnick is the Americas Business Manager, Spectroscopy Products Division at Renishaw. Tim has over 30 years’ experience working with Raman spectroscopy instrumentation in industry and academia. He is a passionate and effective speaker with a strong background in all aspects of Raman Spectroscopy, including the fundamental science, applications, instrumentation, and custom product solutions.

  • Contains 1 Component(s)

    The Laser Discussion Group (LDG) is AIC’s newest discussion group and was established under the auspices of the Research and Technical Studies Group. The goal of the group is to advance the use of laser technologies in art and heritage conservation and facilitate communication and collaboration between communities that utilize lasers in conservation interventions or treatments. This initiative seeks to expand American engagement within the established international community and to serve as a resource for professionals interested in incorporating laser technologies into conservation practices.

    The Laser Discussion Group (LDG) is AIC’s newest discussion group and was established under the auspices of the Research and Technical Studies Group. The goal of the group is to advance the use of laser technologies in art and heritage conservation and facilitate communication and collaboration between communities that utilize lasers in conservation interventions or treatments. This initiative seeks to expand American engagement within the established international community and to serve as a resource for professionals interested in incorporating laser technologies into conservation practices. 

    Join this virtual session to hear LDG officers share the group’s vision and offer an introduction to the two laser types most commonly used in conservation: Nd:YAG and Er:YAG. For decades, neodymium-doped yttrium-aluminum-garnet (Nd-YAG) lasers have been used in conservation particularly for removing dark crusts from stone sculpture and architectural facades. Erbium-doped yttrium-aluminum-garnet (Er-YAG) lasers can be used to thin/remove aged natural varnishes, biological growth, and adhesives by beneficially producing thermally-induced photo-disruption at the surfaces of media that contain O-H bonds. Both laser classes and their associated wavelengths can work well in tandem with other traditional cleaning techniques. Select examples will be briefly presented. 

    The LDG is pleased to announce a dedicated session at the 2026 AIC Annual Meeting in Montreal, focusing on the application of lasers across a range of material substrates (here). We hope to arrange an informal meetup after the session so stay tuned for more details. Keep an eye out for future LDG programming announcements. 

    Speakers: 

    Evelyn Mayberger

    Evelyn Mayberger

    Laser Discussion Group Vice Chair

    Colleen Snyder

    Colleen Snyder

    Laser Discussion Group Secretary

    Adam Jenkins

    Adam Jenkins

    Laser Discussion Group Co-Chair

    Holly Salmon

    Holly Salmon

    Laser Discussion Group Co-Chair

  • Contains 1 Component(s)

    The AIC Sustainability Committee in conjunction with the UK-based Institute of Conservation (ICON) is excited to announce our upcoming webinar with Marcus Knight of BeGreenAI (www.begreenai.com), who will be discussing sustainable practices of AI-use in relation to the conservation and cultural heritage community. This event will take place on March 5th, 2026 at 11am EST/4pm GMT. The discussion with Marcus Knight will be followed by a Q&A session.

    Join us for a discussion with Marcus Knight of BeGreenAI. This session offers conservation professionals a clear, grounded introduction to how AI systems actually work, before examining the environmental implications of their growing use. From there, it moves into practical guidance on using AI tools more mindfully, with attention to energy use, ethical trade-offs, and long-term impact. Rather than advocating adoption or rejection of AI tech, the focus is on informed decision-making and applying the same principles of care, precaution, and stewardship that underpin conservation practice.

    A recording will be available on-demand after the event.

    Marcus Knight

    Marcus Knight

    Be Green AI

    Marcus Knight of BeGreenAI is an AI trainer and consultant who helps organisations use AI in a way that feels clear, responsible and aligned with their values. 

    He supports teams in building practical skills and confidence so they can work more effectively and make informed decisions around AI tools. 

    His approach focuses on mindful digital practices and low impact ways of using AI that reduce overwhelm and create meaningful, sustainable improvements across organisations.

  • Contains 5 Component(s)

    Online webinar series, January 21, 23, 28, and February 18, 2026, 12-1:30pm ET

    Instructors: Michael Henry, Wendy Jessup, Héctor J. Berdecía-Hernández, Justine Wuebold

    In a general preventive conservation assessment, two preservation professionals provide an overview of an institution’s collections, buildings, and building systems, as well as policies and procedures related to collections care. The assessment can help the institution prioritize their collections care needs, facilitate the development of a long-range preservation plan, and serve as an advocacy and fundraising tool for future collections stewardship improvement projects. FAIC recently partnered with the Getty Conservation Institute to develop a Preventive Conservation Assessment Model as a much-needed update to the 1999 Getty publication The Conservation Assessment: A Proposed Model for Evaluating Museum Environmental Management Needs. The resource introduces new topics to consider in an assessment, such as balancing environmental sustainability with collections environmental needs and considerations for culturally sensitive collections. This online webinar series will discuss current best practices and how to incorporate these new considerations into preventive conservation assessments.

    • Session 1: Goals of the Conservation Assessment and Working with a Co-assessor
    • Session 2: Cultural Considerations
    • Session 3: Identifying Underlying Causes of Collections Care Concerns
    • Session 4: Sustainability

    Registration to participate is free. The webinar sessions will take place in Zoom and automated captions will be available. The sessions will be recorded.


    Funding for this program comes from a grant from the Institute for Museum and Library Services (IMLS). Additional support comes from the Foundation for Advancement in Conservation (FAIC) Endowment for Professional Development, which was also created by a grant from the Mellon Foundation and is supported by donations from members of the American Institute for Conservation (AIC) and its friends. Workshops are made possible with the assistance of many AIC members, but no AIC membership dues were used to create or present this workshop.

    Wendy Claire Jessup

    Wendy Claire Jessup

    Wendy Jessup and Associates, Inc.

    Wendy is a conservator in private practice, specializing in preventive conservation. Wendy is highly experienced in identifying vulnerabilities and risks to collections and in setting realistic and achievable objectives for risk reduction, collections accountability, and preventive conservation.


    In 1989, after holding positions at the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, and the Smithsonian Institution, she established Wendy Jessup and Associates, Inc. to provide preventive conservation services. Since then, she has consulted to a large number of museums, archives, and historic sites within the United States and internationally.


    Since 1994, Wendy has completed more than 65 collections conservation and preservation assessments of small and medium-sized museums of all types across the United States through Collections Assessment Program of the IMLS administered by FAIC and its predecessor Conservation Assessment Program, administered by Heritage Preservation. Many of these assessments have been completed in collaboration with Michael Henry. In 1997, the Getty Conservation Institute engaged Wendy and Michael to conduct a Conservation Assessment of the National Museum of Tunisia to test the program methodology for use internationally.

    Michael Henry

    Michael Henry

    Michael C. Henry, LLC

    Michael Henry specializes in preservation of historic buildings and preventive conservation environments for museum collections.  His work includes museums and historic buildings in India, Rwanda, Cuba, Brazil, Tunisia and throughout the United States.

    Michael has been in private practice for the past four decades, as Principal Engineer/Architect at Watson & Henry Associates in Greenwich, NJ and more recently through Michael C. Henry, LLC, in Lancaster, PA.  For the past two decades, Michael has taught building pathology and diagnostics in the Department of Historic Preservation at the Weitzman School of Design, University of Pennsylvania, where he is an Adjunct Professor.  He has been a guest lecturer in the Graduate Program in Art Conservation at Winterthur/University of Delaware and a visiting teacher at the Centre for Sustainable Heritage, Bartlett School of Graduate Studies, University College London. With S. Maekawa and V. L. Beltran, Michael is co-author of Environmental Management for Collections: Alternative Conservation Strategies for Hot and Humid Climates (Getty Conservation Institute. 2015).

    In 2024, Michael received the Sheldon and Caroline Keck Award for Excellence in Education and Training of Conservation Professionals from the American Institute for Conservation.

    Héctor J. Berdecía-Hernández

    Héctor J. Berdecía-Hernández

    Director-General

    Centro de Conservación y Restauración de Puerto Rico (CENCOR)

    Héctor J. Berdecía-Hernández is a heritage conservator and currently serves as the founding Director-General of the Centro de Conservación y Restauración de Puerto Rico (CENCOR), where he is responsible for the institutional development of the Center, strategic planning, as well as the execution of special preservation and conservation projects, services, research, and initiatives. He also serves as an advisor to cultural institutions on technical matters related to the conservation of cultural heritage and is an Adjunct Professor in preservation technology and materials conservation at the Graduate Program in Architectural Conservation and Rehabilitation at the Polytechnic University of Puerto Rico.  

    Before being appointed as the first Director-General of the CENCOR, Héctor worked on several heritage conservation and research projects in both the public and private sectors in Washington, D.C., Philadelphia, and Puerto Rico. He is currently an active member of the American Institute for Conservation (AIC), where he serves as Program Chair of the Architecture Speciality Group (ASG) and is a member of the Code of Ethics Task Force. He is also a member of the International Institute for Conservation (IIC) and the Association for Preservation Technology International (APT). 

    Héctor holds an M.S. in Historic Preservation with a concentration in Architectural Materials Conservation from the University of Pennsylvania and a B.EnvD. in Environmental Design-Architecture with a double major in History of the Americas from the University of Puerto Rico, Rio Piedras. He also studied Conservation Science courses within Georgetown University and the Universitá degli Studi de Firenze. 

    Justine Wuebold

    Justine Wuebold

    Justine Wuebold has worked in museums and cultural heritage for over ten years, with specialized knowledge in collections care, conservation, and green museum practices. She holds a dual Masters in Museum Studies and Business Administration from John F. Kennedy University where she penned her thesis on Sustainable Materials in Collections Care, and previously earned a Bachelors in Art History from San Francisco State University. Justine currently volunteers for the AIC Sustainability Committee and the AIC Materials Working Group.

  • Contains 3 Component(s) Recorded On: 01/09/2026

    Connect with your fellow members!

    Our Monthly Member Meetup is a series of hour-long monthly events that we’ll host second Fridays at 2pm ET. Topics may cover sustainability, private practice, volunteering, the wiki, emergency planning, introductions to our various committees and groups, and more. Our goal is to offer you a social outlet and way to connect with other members. We welcome suggestions for topics and guest hosts! Send us your ideas at membership@culturalheritage.org

    Review our past meetups: